Support the Hunter

At no time has supporting the Hunter Museum been more crucial than it is today as we cope with the significant impact of COVID-19. Donate now to support everything you love about the Hunter Museum.

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UPCOMING & CURRENT EXHIBITIONS

Under Construction: Collage from the Mint Museum

January 29, 2021 through April 18, 2021

LEARN MORE

Ashley V. Blalock: Bridging the Hunter

January 8, 2021 through January 16, 2022

Learn more

Baggs McKelvey: Indigo

Through February 28, 2022

Learn more

Depicting the Invisible

August 20, 2020 through May 9, 2021

Learn more

VISIT US ONLINE. ANY TIME.

Visit us in person or enjoy #VirtualHunter online, any time.

Standing in Solidarity

We are standing with Black Lives Matter and the fight for equality and justice.

EXPLORE BLACK ARTISTS

Create and Play

Enjoy art activities, puzzles, coloring pages, and Zoom backgrounds inspired by art from the collection.

Make something

Explore

Get art smart with articles, videos, lectures, and explore the Hunter’s permanent collection online.

Find something new

Experience

Watch art demonstrations, art performances, or listen to a concert from the Hunter at home.

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huntermuseum

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See art with new eyes and learn what it means to be an American in the 21st century.
Chattanooga, TN est. 1952.
#huntermuseum

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These prints are part of a series of 24 prints created by artist Jennifer Bartlett. Each represents an hour of the day and a view from Bartlett’s home and studio in Manhattan. (Yep, that pool is from the artist’s New York home). The grid structure is methodical. In each of the prints, the elements add up to the number 60. Seemingly random artifacts of daily life tease us into making up a story about the scene we’ve found there.

Want more 24-hour fun? Check out "The Clock" by Christian Marclay, a day-long video drawn from film clips. It's a mesmerizing way to fill a day of social distancing when you’ve run through your Netflix queue. Link in bio.

Jennifer Bartlett (b. 1941), "5 a.m. from Air: 24 Hours," "5 p.m. from Air: 24 Hours," "6 p.m. from Air: 24 Hours," 1994. Color etching with sugarlift, aquatint, drypoint and
scraping (printed on Twinrocker hand made paper), 13/65. Museum purchase

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When no one else is wearing a mask 😷 #BernieSanders

Francis Luis Mora (1874-1940) "An Out of Town Trolley," 1916. Oil on canvas. Gift of Mr. and Mrs. Scott L. Probasco, Jr., In Honor of Ruth Holmberg. 2006.2

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“Under Construction: Collage from The Mint Museum” opens a week from today! This exhibition is a journey through the modern history of collage and its impact on art. Learn all about it next week during Virtual Art Wise with Dr. Jonathan Stuhlman, The Mint Museum’s Senior Curator of American Art. You don’t want to miss it: link in bio.

Iruka Maria Toro. The Invisible Life of Small Things, 2011, acrylic paint. Museum Purchase: Funds provided by an Anonymous Donor. 2013.56. Collection of The Mint Museum, Charlotte, NC. © Cristina Toro

Eva Pennink, (1911 – 2008), Untitled (Figures and Record Player). Paper Collage. Anonymous Donor. 1980.242.2

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It’s #MuseumSelfie day! Our guests are a beautiful part of the art at the Hunter. Join the trend and tag us in your favorite photos! 📸

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“True compassion is more than flinging a coin to a beggar; it comes to see that an edifice which produces beggars needs restructuring.”

Dr. Martin Luther King Jr.

Honor Martin Luther King Jr. Day by checking out our recommended reading list, or register for the Urban League of Chattanooga’s MLK Day Youth Empowerment Experience today at 3 pm.
Link in bio.

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Support Chattanooga's Black entrepreneurs and creatives this year by shopping Black-owned businesses in Chattanooga. We’ve compiled a list to help you get started. Link in bio.

P.S. We miss seeing these smiling faces in person at the Hunter!

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Since spring 2020, the Hunter has been distributing Art Packs to Hamilton County students. The Art Packs are full of activities and supplies for students, and come in both English and Spanish.

Consider supporting our mission to connect people of all backgrounds to creativity, knowledge, and ideas by donating to our Propel Past Covid campaign, where every dollar is matched. Link in bio.

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Did you know that Yellow Wave took the artist more than a year to complete? Pop culture, art historical references, and icons from East and West collide in Jiha Moon’s work. The artist layers materials and metaphors to upend stereotypes and cultural assumptions.

Traditional Korean Hanji mulberry paper creates the foundation of this piece. Moon uses a Korean fan shape, exaggerated at times to form a heart or a peach. Peaches are an auspicious fruit in Korean cultural lore, as well as a reference to Moon’s current home state of Georgia.

Yellow Wave is part of a series exploring the exoticism of both Eastern and Western cultures. As a Korean woman, Moon finds blond hair to be ‘exotic.' Golden tresses weave through the artwork, and landscapes, dragons, Korean text, and fortune cookies intermix in the layered construction.

Jiha Moon (b. 1973), “Yellow Wave,” 2013. Ink, acrylic, embroidery patches, glitter, stickers, collaged prints on hanji paper. Museum purchase with funds contributed from Spectrum 2014. Courtesy of the artist.

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This weekend is your last chance to see “The F Word: We Mean Female!” Say farewell to your favorite pieces before January 11.

#WeMeanFemale

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What are your hopes, dreams, and goals for the New Year? Comment below with an emoji to describe it – or draw/paint/sculpt them and tag us in a picture!

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After her father was imprisoned for being in the Chinese Nationalist party, artist Hung Liu was sent to live with her grandmother. This is where her art training began. But soon after the Cultural Revolution began, she was sent to be “reeducated” in the Beijing countryside for four years. She secretly took photographs of the farmers there, some of which served as an inspiration for her work. (See the first photo.)

After coming to the U.S. in 1984, Liu dug further into archives of Chinese history. She found a book of images of young women, each with a floral pseudonym. Scholars suggest that books like these were used to sell women from poor homes as prostitutes to male clients. Liu has created several works using these women’s photos (see second photo). The series, titled ‘Wildflower,’ references both the pseudonyms and the resiliency of wildflowers.

“The F Word: We Mean Female!” closes on January 10. Make plans to see these artworks before they go off view.

Hun Liu (b. 1948), “Pullman,” 2004. Oil on canvas. Museum purchase.

Hung Liu (b. 1948), “Wildflower,“ 1999, lithograph, 12/20. Purchased with funds donated by friends in honor of MaryAnna Thomison.

#YearOfFemaleArtists #ThroughHerEyes #WeMeanFemale #FeministFriday

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The Hunter will be closed Christmas Eve, Christmas Day, and New Year’s Day, as well as closing early on New Year’s Eve. We wish you and yours a happy and healthy holiday!

This awesome photo was taken by Roberto Venegas.

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Can you spot something new here?
William Merritt Chase's “Apprentice” is on loan to us and is now on view in our Impressionist gallery. Beyond the use of loose brushstrokes, this work isn't easily associated with the Impressionist style, but it represents early steps towards American impressionism, which was often grittier than the European style. Chase's earlier works, like this painting, reflect this darker style, but his later works became much more recognizable as Impressionist. Stop by and take a selfie with the Apprentice!

William Merritt Chase (1849-1916), "Apprentice," 1875. Oil on canvas.On loan from a private collection, Courtesy of Susan Nelly, The Villa America Fine Art and Debra Force Fine Art, New York, 16.20

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Have you visited Virtual Hunter recently? The museum’s web portal full of art activities, learning resources, and videos recently won an award from the Lookout chapter of the Public Relations Society of America. Check out Virtual Hunter in our bio link!

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Let’s keep a good thing going.

Support for cultural institutions is critical at a time like this, and the Hunter is no exception. Donate now to support everything you love about the Hunter, and your gift will be matched, dollar for dollar. Link in bio.

3rd photo: Lesley Dill [born 1950], “Rise”, 2006-2007, Laminated fabric, hand-dyed cotton, paper, metal, silk, organza with cotton, Dimensions vary, Gift of Lesley Dill, 2015.6

Last photo: Randolph Rogers (1825-1892), “Ruth Gleaning,” 1851. White marble. Museum purchase.

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It may seem like a long ways away, but January will be here before you know it. Start the year off right on January 7 with a virtual Art Wise artist talk. Ashley V. Blalock, who will be designing a custom installation in the museum’s mansion staircase, will share the thoughts and processes behind her work. Link in bio. #FeministFriday #YearOfFemaleArtists #ThroughHerEyes

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Join us for artful yoga this Sunday at 1:30pm. Class starts with a discussion, then the art-inspired practice begins. 🧘🏽‍♂️🧘🏿‍♀️🧘🏻 Masks and physical distancing are required.

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The Hunter is many things to many people. For Martha Mackey, the Hunter Museum is a transformational education experience.

We’re excited to share that every donation made to our Propel Past Covid fund will be matched, up to $150,000. No amount is too small! Donate now to support what you love about the Hunter. Link in bio. #PropelPastCovid

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Made up of several panels, and using real objects such as wings, an oar, and fabric, this work doesn’t seem to have a central focus. Artist Robert Rauschenberg called these non-traditional arrangements Combines. His stream-of-consciousness approach and use of unusual materials set him apart from other artists of this time. He also used a commercial printing process. In doing so, he blurred the distinctions between ‘fine art’ and everyday life. And by allowing chance to determine the placement of these objects, he left the interpretation of the piece to you, the viewer. He underscores this idea by incorporating a mirror into the screen.

If you were to make a Combine, what would you put in it?

Robert Rauschenberg (1925-2008), “Opal Reunion,” 1976, mixed media combine, 6 panels. Gift of the Benwood Foundation, Mr. and Mrs. Joseph H. Davenport, Jr., Ruth S. and A. William Holmberg, and Mr. and Mrs. Olan Mills II

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Like many arts organizations, the Hunter has been adversely affected by the pandemic. We’re launching a Propel Past Covid campaign to help sustain the museum through this difficult time. Donate now to support everything you love about the Hunter, and please consider sharing this post. Learn more in our bio link. #PropelPastCovid

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Shop small tomorrow at the Hunter Museum Store from 10am-5pm. Museum members get 10% off! No admission necessary.

*Please note that there are capacity limits at the Museum Store. #ShopSmallChattanooga #ShopSmallChatt

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Art Bridges has been a huge supporter of the Hunter Museum, especially in the past year. Through their sponsorship of Virtual Hunter, artwork loans, outreach, new equipment, programs, and more, their support has helped the Hunter to continue engaging with and reaching our community -- even when the museum was closed. Thank you @artbridgesfoundation!

Glenn Ligon (b. 1960). "Untitled (I Am Somebody)," 1991. Oil stick, gesso and graphite on wood. 80 x 30 inches. On loan from Art Bridges. On view in the Mansion.

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A 1961 graduate from Vassar College, Nancy Graves was the youngest person yet chosen for a solo exhibition at the Whitney Museum of Art. During her career, she created a variety of sculptures, paintings, drawings, watercolors, and prints. Graves often made use of her own earlier artwork. "Canoptic Prestidigitation," an exploration of texture, color, and pattern, is one such piece.

Nancy Graves (1939 - 1995), “Canoptic Prestidigitation,” 1990, lithograph printed from eighteen aluminum plates, in twenty-three colors, with chiné colle and applied cast paper piece, 11/40. Museum purchase.

#ThroughHerEyes #YearOfFemaleArtists #WeMeanFemale #FeministFriday

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Don’t miss Art Wise: In the Studio with Lesley Dill this Thursday at 6pm. Free Zoom link in our bio.

Lesley Dill (b. 1950), "White Threaded Poem Girl," 1996. Photo silkscreen, oil paint, and thread on tea-stained silk. Museum purchase with contributions from Spectrum 2006.

Lesley Dill [born 1950], “Rise”, 2006-2007, Laminated fabric, hand-dyed cotton, paper, metal, silk, organza with cotton, Dimensions vary, Gift of Lesley Dill, 2015.6

#YearOfFemaleArtists #ThroughHerEyes #WeMeanFemale #MuseumFromHome

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Here's our biggest thank you to everyone who supported Off the Wall! Your support is critical to ensuring that the Hunter Museum can continue serving our community.

#OffTheWall #HunterOffTheWall #SupportTheHunter

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In honor of Kamala Harris's historic election and our continuing celebration of the 100th anniversary of women's suffrage in the United States, here are two works by female artists who share the next Vice President's heritage.

Indian American artist Surabhi Saraf uses video, music and choreography to examine the traditional roles of women in the domestic sphere. African American artist, Lois Maillou Jones, who taught at Harris' alma mater, Howard University, celebrated women through her multilayered paintings that drew upon international influences ranging from Haiti to Paris to the African continent.

Come explore these and many other works by strong women everyday at the Hunter!

Surabhi Saraf (born 1983), “Fold" [detail], 2010. 1080p high definition video, 2/5. Museum purchase.

Loïs Mailou Jones (1905-1998), "Damballah" [detail], 1980, acrylic on canvas. Museum purchase.

#ThroughHerEyes #YearOfFemaleArtists #WeMeanFemale

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Join us Thursday, November 19 to meet Lesley Dill in her studio (virtually, of course!). Register for free in our bio.

#YearOfFemaleArtists #ThroughHerEyes #WeMeanFemale #FeministFriday

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Find out what happens next tonight at 7:30! Click the link in our bio to watch Off the Wall, the Hunter’s virtual fundraising event, launching tonight.

#HunterOffTheWall #HunterMuseum #HunterMuseumOfAmericanArt #SupportHunterMuseum

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Are you ready for Off the Wall Thursday night at 7:30? These stunning artworks are still up for grabs, along with chef dinners, classes, private tours, nights out, and vacation packages. Support the Hunter while treating yourself. Link in bio.

#HunterOffTheWall #HunterMuseum #HunterMuseumOfAmericanArt #SupportHunterMuseum

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Sibyelle Peretti’s series “Silent Children" is inspired by true accounts of feral children. Victor of Aveyron, the subject here, was probably about 12 years old when he was found in the woods in France. Details vary, because he was romanticized, analyzed, and mythologized, all in a colonialist context. Unlike other invented stories of feral children, we do have evidence of Victor’s existence and his survival living on his own in nature.

Sibylle Peretti (born 1964), “Victor,” 2009. Paper, oil, gouache, pencil, photograph on acrylic sheet. Museum purchase with contributions from Spectrum 2011.

#ThroughHerEyes #YearOfFemaleArtists #WeMeanFemale

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Meet artist Lesley Dill in her studio, via Zoom, on Thursday, November 19. Dill will talk about her work and process, and you’ll be able to ask her questions and see her studio. We’re thrilled to offer this rare opportunity free of charge to the public. Link in bio.

#ThroughHerEyes #YearOfFemaleArtists #WeMeanFemale #NoogaToday

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The Hunter’s Off the Wall auction closes in just over a week! Items are going quickly, so check out the auction now in our bio link.

#HunterOffTheWall #HunterMuseum #HunterMuseumOfAmericanArt #SupportHunterMuseum #NoogaToday

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Today we celebrate our civic rights, and all who are ensuring those rights. We’re closed on Tuesdays and Wednesdays, but we invite our entire community to visit the Hunter’s galleries for reflection and renewal the rest of the week. You can also enjoy the permanent collection for free from 4-8pm this Thursday.

Roy Lichtenstein (1923 - 1997), “Untitled (from the Inaugural Portfolio),” 1977, Serigraph, AP 15/20. Gift of Frank E. Fowler and funds provided in part by the National Endowment for the Arts, a Federal agency.

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We’ve got some amazing auction items for you golf and whiskey aficionados out there. Check out the lineup:

🗝 Jack Daniel’s Lynchburg Distillery Behind the Scenes Experience

🏌🏽‍♂️ Sweetens Cove Experience with Golf and Bourbon

🧊 Lot of Small Batch & Exclusive Whiskeys, with swag from @localsonlygiftsandgoods

🥃 Exclusive “Select Your Own Barrel” George Dickel Experience

Link to bid in bio.

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We’ve got an amazing lineup of local chefs and restaurants participating in our auction this year! From chef dinners to cooking classes, date nights to brunches, the only hard part is picking one.

#HunterOffTheWall #HunterMuseum #HunterMuseumOfAmericanArt #SupportHunterMuseum

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The Hunter Museum received three awards from the Southeastern Museums Conference this year! "Blak Origin Moment" placed silver in the exhibition category. The interactive screen with Glenn Ligon’s "Untitled (I Am Somebody)" and the social media campaign highlighting the same piece both placed silver as well.

Glenn Ligon (b. 1960). "Untitled (I Am Somebody)," 1991. Oil stick, gesso and graphite on wood. 80 x 30 inches. On loan from Art Bridges. On view in the Mansion.

@semcdirect @nwandersonart @glennligon

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Off the Wall is LIVE! Click the link in our bio to check out the art, experiences, commissions, packages and more available.

Pictured:
Chef Dinner with Erik Niel from Easy Bistro and Main Street Meats

Couple’s Staycation at the Edwin Hotel

Adventure Package with Lookout Mountain Flight Park

Jack Daniel’s Distillery Tour

Wayne Wu, b. 1935, Masquerade, 1999.

#HunterOffTheWall #HunterMuseum #HunterMuseumOfAmericanArt #SupportHunterMuseum

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Tomorrow night: Hear women poets from Black, Latinx, Cherokee, Pacific Islander, European, and Baha’i backgrounds speak in “The F Word: We Mean Female!” galleries. Blending history, current events, ancient wisdom, and personal experiences, it’s a night you won’t want to miss. Link in bio.

Generous support for this project is provided by Art Bridges Foundation @artbridgesfoundation

#WeMeanFemale #WomensVoices #YearOfFemaleArtists #ThroughHerEyes

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Early voting has begun in Tennessee! Exercise your right to vote and visit elect.hamiltontn.gov to find your polling place in Hamilton County.

These cool stamps celebrating women’s right to vote are available at USPS.com.

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This could be you!
You may have seen this portrait at the Hunter before. In fact, it’s on view in “The F Word: We Mean Female!” right now.

This fall, you can bid for a personally commissioned piece by Melissa Hefferlin in our online auction fundraiser, Off the Wall. Learn more about it in our bio link.

Melissa Hefferlin (b. 1968), "Taking Tea," 2006. Oil on linen. Anonymous gift.

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Kay Walkingstick, one of the best known Cherokee painters today, was not involved with the Cherokee community until she was a young adult. As a child she lived in a primarily white community with her mother, who encouraged her to be proud of her heritage. As she got older, she sought to learn more and ultimately dedicated her life to celebrating Indigenous traditions and their lands.

“My present paintings of mountains and sea are vistas of memory — our America the beautiful. They are meant to glorify our land and honor those people who first lived upon it.”

#IndigenousPeoplesDay

Kay Walkingstick (b. 1935), "We’re Still Dancing / Taos Variation," 2006. Oil on wood panel, diptych. Museum purchase.

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Our annual fall fundraiser is going to look a little different this year! We’re excited to announce Off The Wall, our first virtual fundraising event. The best news? Because it’s online, all of our friends can join us. 🤗 More details coming soon.

Photo by @ian_shoe

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Chief Curator Nandini Makrandi is a panelist for the @midsouthsculpture Vision 2020 grant. If you know someone who is a BIPOC sculptor, let them know about this great opportunity!

The other two panelists are Dr. Kimberli Gant (the McKinnon Curator of Modern & Contemporary Art at the Chrysler Museum of Art) and Miranda Kyle (Arts & Culture Program Manager for the Atlanta BeltLine).

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Today is your last day to register to vote in Tennessee! Visit PlanYourVote.org to make sure you’re on track.

Image by #hankwillistomas #planyourvote @hankwillisthomas @PlanYourVote @votedotorg #VoteDotOrg #Vote #VoteReady #Vote2020

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The deadline to register to vote in Tennessee is October 5. You heard that right -- you’ve got five days left to register. Why not just do it now?

#planyourvote @jennyholzerstudio @planyourvote @votedotorg #VoteDotOrg #Vote #VoteReady #Vote2020

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Did you catch the September issue of Vanity Fair? Artist Hank Willis Thomas’ artwork “From Cain't See in the Morning' till Cain't See at Night” was featured alongside an article by Bomani Jones about college football players and the rights they often do not have. The photograph is one of the Hunter’s recent acquisitions, and it invites the viewer to consider the similarities between enslavement and the structure of today’s athletics.

Hank Willis Thomas (b. 1976), “From Cain’t See in the Mornin’ til Cain’t See at Night” [detail], 2011. Digital c-print, edition M3 of 5, with 1 artist proof. Museum purchase, 2019.2

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Have you seen this painting in the Creative Discovery Museum? Did you know it’s actually a part of the Hunter’s collection?

The Creative Discovery Museum @cdmfun recently released a cheeky 8-minute podcast about the painting and its artist, Jack Beal. Click the link in our bio to listen.

Jack Beal (1931-2013), “The Painting Lesson,” 1980-1981, oil on canvas. Gift of Mr. and Mrs. John T. Lupton

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The Hunter Museum Fence by Albert Paley has been moved to its new home!

The museum is undergoing some necessary construction, and this sculpture needed to be moved. We love its new location! What do you think?

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Did you know that a Passport level membership gives you access to over 1,000 cultural institutions across North America? From Canada to Mexico, you’ll never run out of places to see.

1. Birmingham Museum of Art in Birmingham, AL

2. Frist Art Museum in Nashville, TN

3. High Museum of Art in Atlanta, GA

4. Crystal Bridges Museum of American Art in Bentonville, AR

5. Georgia O’Keeffe Museum in Santa Fe, NM

6. The Studio Museum in Harlem in New York City, NY

7. The National Museum of Women in the Arts in Washington, D.C.

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Looking for an art activity to do with your furry BFF? You’re in luck: there’s art all around Chattanooga, and we’ve built a guide just for you. So get your pup ready for a W-A-L-K and sniff out some great sculptures around town. 🐶 Link in bio!

@bestboybenson @aisla.and.atlas

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Our new exhibition, “Depicting the Invisible,” includes art that explores difficult subjects like war and PTSD.

One small thing you can do to help support those who suffer from PTSD is purchase Healing PTSD stamps from the United States Postal Service this fall.

🌱 Susan J. Barron (b. 1958). "DTI Craig," 2018. Mixed media on canvas. On loan from artist. © Susan J. Barron, 2020

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According to the Texas Medical Association, visiting a museum is safer than attending a backyard BBQ, working a week in an office, or going to a beach.

When you visit the Hunter, put your mask on and we’ll open the door for you. Then, you’ll either scan your digital ticket or purchase one at the desk. Our maps and self-guided tours are now digital and easy to read on your phone.

We want you to feel safe while you take in the art. And if you don’t feel comfortable leaving the house just yet, we’re still here for you 24/7 online at Virtual Hunter.

📸 @anushkarefai, Girls In Leadership

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Do you think these were painted by the same artist?

“Girl with Bird and Cage” is the oldest painting in the Hunter’s collection. Although a great deal of research has been done on the painting, little is known about the painter or sitter. Some experts have suggested that Massachusetts portrait artist Joseph Badger painted it.

🐦 Unknown, “Girl with Bird and Cage,” circa 1735-1740. Oil on canvas. Gift of Mr. and Mrs. Harold Cash

🐿 Joseph Badger (1707/8-1765), “Rebecca Orne,” Mrs. Joseph Cabot, 1757. Worcester Art Museum, Eliza S. Paine Fund in memory of William R. and Frances T.C. Paine

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Did you know that the resources we give to teachers are also available to students doing school online this year?

We can help you organize museum tours, virtual tours, and even integrate art into your child’s curriculum. Click the bio link to get started.

#VirtualSchooling #LearnAtHome

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What has kept you busy this summer?

Museum volunteer Kin Koos started a "scarf" on April 10, vowing to keep knitting until the pandemic is over. On August 21, it measured 33 yards long. 🧶

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Dresses and vessels are often used as metaphors for the female body. Artist Beverly Semmes uses them both to further investigate her interest in feminism. Neither of these are functional or typical.

The pot is lumpy and somewhat garishly colored, and the ‘dresses’ are rather incomplete or too large. Imagine the dress or the pot as a stand in for a woman. If so, the ‘dresses’ and ‘pot’ question the idea of beauty as the major expectation of women in our society.

Beverly Semmes (b. 1958). ‘4’33”,’ 2011. Velvet, tulle and ceramic. Museum purchase.

#ThroughHerEyes #YearOfFemaleArtists #WeMeanFemale #FeministFriday

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Throwback Thursday is back! Visit this Thursday from 4-8pm for discounted rates. You’ll get to see “Indigo,” “Depicting the Invisible,” and “The F Word: We Mean Female!,” all featuring female artists.

Baggs McKelvey, “Indigo,” 2019-2020. Denim. Dimensions vary. Courtesy of the artist.

A portrait of Renoula A. Trotter from Susan J. Barron’s “Depicting the Invisible: A Portrait Series of Veterans Struggling with PTSD.” [detail] (Susan J. Barron), © Susan J. Barron, 2020

Nancy Graves (1939 - 1995), “Canoptic Prestidigitation” [detail], 1990. Lithograph printed from eighteen aluminum plates, in twenty-three colors, with chiné colle and applied cast paper piece, 11/40. Museum purchase.

#WeMeanFemale #ThroughHerEyes #YearOfFemaleArtists

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On this day 100 years ago, Tennessee became the last state to ratify the 19th amendment, granting some women the right to vote.

“The F Word: We Mean Female!” takes place this year in recognition of that victory. We’re acknowledging the women who worked for the vote, and continued to work until every woman was able to exercise that right. We’re celebrating the women who continue to work for equality today.

Visit “The F Word: We Mean Female!” to learn about female artists whose work touches on history, identity, and equality.

Carrie Mae Weems (b. 1953), “Not Manet’s Type” [detail], 2001. Photolithograph, 17/40. Museum purchase.

#WeMeanFemale #ThroughHerEyes #YearOfFemaleArtists #SuffrageCentennial

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This painting is titled “Summer in the Tennessee Valley.” What kind of fish do you think they’ll catch in this idyllic pond?

Support the local arts this fall by trading your standard license plate for an artsy one. There’s even a plate for the fishing enthusiasts. 🙂

William C. A. Frerichs (1829 - 1905), “Summer in the Tennessee Valley,” circa 1860, oil on canvas. Gift of John T. and Alice Lupton.

#TennesseeArtsCommission

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You’ve all been waiting for it: come see “The F Word: We Mean Female!” now on view!

#WeMeanFemale #FeministFriday #ThroughHerEyes #YearOfFemaleArtists

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Members, "The F Word: We Mean Female!" opens to you tomorrow! Become a member today to get access to our members-only tours.

Isabel Case Borgatta (1921 - 2017), "Jaguar Woman," 1992, grey granite, 27 1/2 × 16 × 12 inches, Gift of Francesca Borgatta, Mia Borgatta and Paola Borgatta, 2019.22, Photograph by Bruce M. White, © 2017

#WeMeanFemale

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This Wednesday, learn about artists who give voice to the invisible in our weekly Facebook Live at 2pm.

A portrait of Renoula A. Trotter from Susan J. Barron’s “Depicting the Invisible: A Portrait Series of Veterans Struggling with PTSD.” (Susan J. Barron), © Susan J. Barron, 2020

#ThroughHerEyes #YearOfFemaleArtists #ArtBreak #MuseumFromHome

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What’s happening here?

“Fold” is a grid of 96 small videos showing artist Surabhi Saraf folding laundry. In it, the artist transforms the domestic "female activity" of folding laundry into a multifaceted, complex choreographed pattern that engages the viewer. By doing this, Saraf creates layers of structure and ever-evolving patterns.

See the rest in “The F Word: We Mean Female!” which opens to the public August 21st.

Surabhi Saraf (born 1983), “Fold,” 2010, 1080p high definition video, 2/5, new media. Museum purchase.

#YearOfFemaleArtists #ThroughHerEyes #FeministFriday

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The curatorial team is hard at work getting ready for “The F Word: We Mean Female!”

Become a member to get access to virtual and gallery tours on the members-only opening, Thursday, August 20th. Link in bio ✨

Lesley Dill [born 1950], “Rise”, 2006-2007, Laminated fabric, hand-dyed cotton, paper, metal, silk, organza with cotton, Dimensions vary, Gift of Lesley Dill.

#ThroughHerEyes #YearOfFemaleArtists

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We’re so happy to see our docents back in the galleries! They’ve got their masks on and are getting ready to give gallery tours again. Visit our website to schedule a tour.

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The Hunter has been open to the public for two weeks now, and we’ve loved seeing all our visitors! Baggs McKelvey’s “Indigo” is on view now, inspired by this combine by Robert Rauschenberg.

📰 Robert Rauschenberg (1925-2008), “Opal Reunion,” 1976, mixed media combine, 6 panels. Gift of the Benwood Foundation, Mr. and Mrs. Joseph H. Davenport, Jr., Ruth S. and A. William Holmberg, and Mr. and Mrs. Olan Mills II

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“The F Word: We Mean Female” opens two weeks from today! See artworks that are rarely on view because of their size or delicate materials, including “Rise” by Lesley Dill, a life-size installation spanning 50 feet.

Lesley Dill [born 1950], “Rise”, 2006-2007, Laminated fabric, hand-dyed cotton, paper, metal, silk, organza with cotton, Dimensions vary, Gift of Lesley Dill, 2015.6

#YearOfFemaleArtists #ThroughHerEyes #WeMeanFemale #FeministFriday

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If you visited the museum last week, you may have noticed a bit of noise (by “a bit,” we mean a lot). That’s because the exquisite “Hunter Museum Fence” by Albert Raymond Paley is moving to a new location on the museum campus. 🏗

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In this untitled painting by Clementine Hunter, the person on the left does the laundry while the one on the right stirs a kettle of food. What is on the menu and what day is it?

For people in Louisiana, the answer is obvious: red beans and rice, and Monday. Self-taught artist Clementine Hunter lived and worked on Melrose Plantation in Natchitoches, Louisiana. Originally a cotton plantation, Melrose eventually became an artist colony, hosting both writers and painters. In Louisiana, Monday was typically laundry day. Without washing machines, laundry was washed by hand, which didn’t leave much time for elaborate meals. Red beans and rice, introduced by Haitians fleeing the slave rebellion, became a quick, traditional staple.

Clementine Hunter (1886 or 1887-1988), “Untitled,” circa 1970, acrylic on panel. Museum purchase.

#ThroughHerEyes #YearOfFemaleArtists

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When many of our summer vacations have been cancelled, enjoy this flight into the Big Apple. “Metropolitan Triptych,” by Yvonne Jacquette, is a bird's eye view of three entry points to LaGuardia Airport. Jacquette has painted many similar scenes, inspired by nighttime flights over cityscapes.

Yvonne Jacquette (b. 1934), “Metropolitan Triptych,” 2005. Pastel on black paper. Museum purchase with contributions from Spectrum 2010.

#FeministFriday #ThroughHerEyes #YearOfFemaleArtists

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Join us on Facebook Live tomorrow at 2pm for an #ArtBreak! Make an art-inspired bookmark to keep track of your summer reading.

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During his lifetime, critics considered Ralph Blakelock to be America’s most famous artist. He often painted dark, mysterious landscape scenes. Some said his paintings offered a mystical experience.

Tragically, just as his artistic career set off, Blakelock experienced the onset of schizophrenia. The news media sensationalized his mental illness. It fascinated Americans, who saw a relationship between madness, genius, and divinity. This encouraged the idea that Blakelock’s paintings were mysterious and mystical visions.

Ralph Albert Blakelock (1847-1919), “Threatening Sky,” undated, oil on canvas. Gift of the Mr. and Mrs. Scott L. Probasco, Jr.

#MuseumAtHome #MuseumMomentofZen

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We’re open! 🎈

It’s been a while since we’ve seen you, and we’re so excited to welcome you back. Some things have changed, so here’s what you can expect during your visit:

The Museum has new capacity limits.
Non-members are encouraged to reserve their tickets on our website.
Face masks and physical distancing are required.
Maps and guides are now on our website.
Hand sanitizer stations are available throughout the museum.
Surfaces will be cleaned and disinfected frequently.

Find out more in our highlights or on our website.

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The F Word: We Mean Female opens later this summer! This special exhibition, organized by the Hunter, will feature dozens of artworks by female artists in our collection.

Isabel Case Borgatta (1921 - 2017), "Jaguar Woman," 1992, grey granite. Dimensions: 27 1/2 × 16 × 12 inches (69.9 × 40.6 × 30.5 cm). Gift of Francesca Borgatta, Mia Borgatta and Paola Borgatta.

Amber Cowan [b. 1981]. “Diamond in Milk,” 2018. Flameworked American pressed glass, mixed media.

Loïs Mailou Jones (1905-1998), "Damballah” [DETAIL], 1980, acrylic on canvas. Museum purchase.

Vadis Turner (born 1977), "Greens Swells,” 2017. Antique quilts, ribbon and mixed media. Museum purchase.

Lesley Dill (b. 1950), "White Threaded Poem Girl," 1996. Photo silkscreen, oil paint, and thread on tea-stained silk.
Museum purchase with contributions from Spectrum 2006.

#ThroughHerEyes #YearOfFemaleArtists

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We’re opening July 23rd! (Can you tell we're excited?)

It’s been a while since we’ve seen you, and we can't wait to welcome you back. Some things have changed, so here’s what you can expect during your visit:

– The Museum has new capacity limits.
– Non-members are encouraged to reserve their tickets on our website.
– Face masks and physical distancing are required.
– Maps and guides are now on our website.
– Hand sanitizer stations are available throughout the museum.
– Surfaces will be cleaned and disinfected frequently.

Find out more in our highlights or on our website.

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We've got big news: The Hunter will open to members Thursday, July 16 and will welcome non-members July 23rd. We can’t wait to see you! 🖼️ 🎉

Some things to keep in mind for your visit:
- Visitors over the age of 5 are required to wear masks. Children ages 2-5 are strongly encouraged to wear masks. Museum staff will also be required to wear masks.
- Physical distancing from staff and other visitors is required.
- We are offering a no-touch experience when possible, including mobile maps and guides. Hand sanitizer stations are available throughout the museum and surfaces will be cleaned and disinfected frequently.
- The Museum Store will be open with capacity limits.
Visit our website for more information.

Photo by @zippydj

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Have you been tuning in to our weekly art breaks? Every Wednesday at 2pm, one of our team members gives a live art tutorial on Facebook. Activities have included finger knitting, terrarium building, and making art with food. We love to see your creations, too!

Thanks @lindapop for sharing this adorable froggie (and kiddo).

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In 2007, Radcliffe Bailey traveled to Africa to explore the roots of his heritage. In this artwork, boats, trunks, and lanterns reference journey, passage, and discovery. Piano keys scattered throughout allude to the artist’s love of music. Bailey collects these objects at flea markets, on the street, and from friends. He stores them until the right work presents itself.

“My work has one layer that is a history of a subject matter and another layer that goes on in the history of myself that goes on day-to-day.

“My family moved here (to Atlanta) in the 70’s and they were part of the first group of African Americans that were moving back to the South. And I think about migration and I think about when I first had the chance to see work that moved me, and for me that was Jacob Lawrence and his Migration Series that sparked a curiosity in me. I want that same feeling in my work. I want mystery. I want to make someone work and have conversations with children.”
– Radcliffe Bailey

🧳 Radcliffe Bailey (b. 1968). “In the Returnal,” 2007, photograph, acrylic, plant material, wax, Georgia red clay, glitter, oil stick on wood. Museum purchase.

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Three more days to vote the Hunter Best of the Best! Click the link in our bio, then scroll down to the Museum section to vote for your favorite. 😉

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Happy Independence Day!
Artist Mimi Herbert says of her work, “I have gone back and forth between pure form and the powerful American flag image; one of its strengths is how its interpretation changes in different times and contexts.”
What does the flag evoke for you today?

🇺🇲Mimi Herbert (b. 1936), "Celebration Flag," 2001-2004. Silkscreened formed acrylic, second flag series. Museum purchase.
#YearOfFemaleArtists #ThroughHerEyes #IndependenceDay #MuseumMoment

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Just before the lockdown, local poets Erika Roberts and Marcus Ellsworth visited the Hunter. They wrote and performed poetry about some of our favorite artworks in the mansion.

Last week, Erika shared some of those poems on the @glasshouselive blog, where she is the Creative Strategist. Her beautiful poetry brings out the role of art in these times as she shares her vision as a Black Creative, as a mother, and as a Chattanoogan. It’s a lovely and insightful piece of writing, and we encourage you to check it out. Link in bio.

Whitfield Lovell (b. 1959), "Hope," 1999, charcoal on wood, found objects, Museum purchase made possible by the generosity of the 2000 Collectors' Group

Glenn Ligon (b. 1960). "Untitled (I Am Somebody)," 1991. Oil stick, gesso and graphite on wood. 80 x 30 inches. On loan from Art Bridges. On view in the Mansion.

#ArtBreak #MuseumFromHome

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We are so proud to share that our very own Aly Haugland has won the Emerging Museum Professionals Award from Tennessee Association of Museums! Aly works very hard managing memberships and development events, and she always has a smile to share. Congratulations to Aly and the other two recipients of the award.

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Many early American portraits used props and backgrounds to show the sitter’s occupation or social status. James Peale’s portrait portrays Poulson with a book in hand, revealing the sitter’s profession as a publisher. 📖 If you had your portrait painted today, what props and setting would best represent you?

James Peale (1749-1831), "Zachariah Poulson," c. 1808. Oil on canvas. Museum purchase with funds donated anonymously.

#MuseumFromHome #Portraits #ArtHistory #ArtBreak

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The preparators have been busy waxing the sculptures…. And it looks like they had a bit of fun while they were at it!

We may not be open yet, but you can still spend some quality time with our outdoor sculptures: we've set up a virtual tour for you to use virtually or as a walking tour! Link in bio.

Tag us in your photos!
#ArtBreak #MuseumMoment

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“It is important to see and be seen...to witness the communal body.” – Alicia Henry

Nashville based artist Alicia Henry’s hand-sewn and collaged works look at the complex nature of how humans see and relate to one another. While her pieces historically connect to the masking traditions of many communities in Africa, in the United States such references to masks conjure associations with clowning or White people donning blackface. In each case, the figure plays an assumed role, or hides one. By showing us the stitches that form her pieces, Henry conveys how the self is always in the process of creation.

Alicia Henry (b. 1966), "Untitled," 2014, mixed media. Museum purchase. Courtesy of the artist.

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Vote for the Hunter Museum in the @chattanooga Best of the Best!
Link in bio. 📝

Photo from Colleen Dilenschneider. @colleendilen
#Chattanooga #BestOfTheBest #HunterMuseum

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This print by Deborah Muirhead is entitled “Document.” By showing only slivers of historical documents, Muirhead blends her personal research into her family's history as part of a larger investigation into "genealogical research, African-American literature and history to create fictional narratives that investigate historical invisibility.”
Each quadrant offers only the slightest glimpse into a buried history, deeply marked by enslavement and dreams of freedom.

Today we celebrate Juneteenth, the celebration of the emancipation of the last enslaved African Americans in Texas, more than two years after the Emancipation Proclamation was issued.

Enjoy this day: find and cherish Black joy. Fill up and recharge for the work we must all continue to do. ♥️ Deborah Muirhead (b. 1949), "Document," 2002, color intaglio and collograph from paperboard, on four joined sheets of medium weight, ivory wove paper, 12/20. Museum purchase 2004.2

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Mark Making, a Chattanooga nonprofit, has been working with artists to create cards for frontline workers. So, far, they’ve delivered about 500 cards.

We’re sharing the inspiring ways the Chattanooga arts community has come together over the past few months. #ConnectChatt @markmakingchattanooga

1. Nestor Valdes and Colleen Williams
2. Josiah Golson
3. Colleen Laliberte
4. Kim Krause
5. Layne Henderson
6. Carmen Cay
7. Jens Lewis
8. Carrie Pendergrass
9. David Riall
10. Robin Howe

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“I think images shape the world, because reality is not a fixed thing, it’s a perception, and that perception is shaped by the dominant perspective of the people of power. That’s why you can have very different truths in different households and in different parts of the world, and people go to war over these truths. The ways in which photography shapes these perceptions of the truth is massive, because it’s through these images that we learn and decide who is valuable, whose lives are worth preserving, celebrating, and protecting, and what is important.”
– Hank Willis Thomas

Because of the materials used, this picture is only revealed when a light is shone on the photograph.

To see more work by Thomas, visit @hankwillisthomas

Hank Willis Thomas (b. 1976), “Public Enemy (Black and Gold I),” 2017. Screenprint on retroflective vinyl mounted on Dibond. Museum purchase, 2019.

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The Hunter Museum stands against racism and oppression.

Though the museum remains closed, we hope to continue to be a resource for conversation, education, healing, and hope. Visit our website to see works by Black artists addressing injustice, performances by Black creatives giving voice to their experiences, and to learn about the organizations we work with to support the Black community.

Because Black Lives Matter. #MuseumsAreNotNeutral

Noel W. Anderson (b. 1982), “Hands-Up,” 2016, stretched Jacquard tapestries. Museum purchase. Courtesy of the artist. @nwandersonart

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Artist Adolph Gottlieb is famous for his abstract paintings with large circles, splatters, and smudges. But before that became his M.O., he painted in a more traditional style. That’s right: this quiet scene was painted by Gottlieb.

#MuseumFromHome #MuseumMomentOfZen ⛵️ Adolph Gottlieb (1903 - 1974), “Boats in Harbor,” 1939, gouache on paper. Gift of Brenda and Wade Brickhouse. © 2019 Adolph and Esther Gottlieb Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

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In the coming weeks, we’ll be sharing the inspiring ways the Chattanooga arts community has come together over the past months.

Photographer Reed Schick has spent time capturing portraits of his neighbors in their homes in St. Elmo.

He says: "I am a photographer living in St. Elmo, Tennessee and am currently working on a project that involves making portraits through windows. I walk around the neighborhood almost every day and have always been fascinated by the different characters and personalities of everyone’s homes. Covid-19 has created a unique challenge for photography and I want to make something beautiful amongst all the uncertainty.

All of the portraits are free and photographed through residents’ windows. I call on the phone to direct for 2-5 minutes and then go my way. Now that I have photographed over 120 homes in St. Elmo, the project is really starting to come together. The idea came to me when I was encouraged by a colleague to start creating again after having all of my work canceled for the months of March, April, and May (I freelance full-time). The support and reaction to the project has blown me away and I am extremely thankful for everyone who has participated in the project." @reed_schick
#ConnectChatt #ArtBreak

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John Hunter’s “Carnival” looks almost like a Zoom meeting, huh?
We’re going to be making artwork inspired by “Carnival” this Wednesday at 2pm on Facebook Live. Come hang out with us! 🎪 John Hunter (born 1934), [DETAIL] "Carnival," 1978, lithograph printed in transparent orange, green and purple on Arches cover buff; 22/25. Gift of Dr. and Mrs. Frederick P. Nause

#ArtBreak #ConnectChatt #MuseumFromHome #VirtualHunter

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Did you know that this statue used to stand in the entrance at Mamma Leone’s, an Italian restaurant in New York City? The well-loved restaurant in the theater district opened in 1906 and operated until 1994.
When “Ruth Gleaning” arrived at the museum, the marble was extremely discolored with grease stains from people touching it at the restaurant. The Hunter had the statue conserved, and the marble was white again.

Randolph Rogers (1825-1892), “Ruth Gleaning,” 1851. White marble. Museum purchase.

#MuseumFromHome #VirtualHunter

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Thanks for the ride, @avenirmuseum! We're traveling around the world on a dream vacation, taking a pit stop in SoCal. Next stop, @winterthurmuse! 🌴 Roger Minick (b. 1944), “A & W Palms (from the Southland series),” 1975. Gelatin silver print. Museum purchase.

#MuseumVacation #MuseumFromHome

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Make a different kind of mask: this Wednesday, tune in to Facebook Live at 2pm for a paper mache mask tutorial inspired by Elizabeth Catlett’s “Singing Head.” Click the link in our bio to check it out ahead of time!

#ConnectChatt #VirtualHunter #MuseumFromHome

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Events

January 27	Make Marbled and Printed Paper FACEBOOK LIVE EVENT
January 28	VIRTUAL Art Wise with Curator Dr. Stuhlman
February 3	Throwback Thursday
February 7	Artful Yoga with Kat Smith
February 11	Be My (Anti)Valentine Collage Class

View all upcoming events